That Drifting Excrement Was Way Too Symbolic! It's the TV Disappointments of the Year.

As we reflect on the television offerings of the recent year, a handful of series stand out not for their brilliance, but for their spectacular shortcomings. From cringe-inducing sequels to confusingly bad documentaries, here are the productions that left us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Plagued with dreadful scripts, painful arcs (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show fought to find its footing. Briefly, as the third series started, it seemed as if it had finally found its groove. Then arrived an episode centered on Seema’s natural deodorant. No wonder the creator declared this would be the final series. It ended on a low point; the lingering shot of Miranda’s loo full of poo was just way too symbolic. Yet, viewers undeniably had a hoot dissecting every single ā€œwhat on earth?ā€ episode. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

ā€˜Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the smallest of this show's problems. The subject of a very rare no-star review, it was hard to know where to begin listing the problems. The hilariously leaden dialogue? The tedious veneration of affluence and materialism? The almost deliberate parade of cliches? Performances so bad they felt borderline spiteful? Let’s just say ā€œall of the aboveā€ and never speak of this series again. Except, a new season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse claims and parental failures, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this multi-part documentary which chuckled along at Sheen’s various episodes of reckless excess while struggling to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being indulged, so any sympathy this series might induce should be reserved for the people who have had to suffer proximity with this charismatic but flippant egotist.

The Iris Affair

Of course we understood it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Shady figures convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate baffling dialects. But there were plenty of other problems. Primarily that it was just really boring; a conflict over drug-selling territory between various cockney picaresques which felt rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of certain performatively enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s televised forays into twee homemaking as deliberate statements. But then you watch them and are forced to admit that in this case, they might have a point. It’s like watching a homeware magazine animated; a poster for wine o’clock with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental sayings and forgettable crafting ā€œhacksā€ you’ll not remember instantly. All underpinned by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about both Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this three-part series chose not to explore them. Rather, the experience was akin to consuming a marketing brochure. She obviously has every right to bridle at what she describes as her ā€œmiserable cowā€ image. But unfortunately, she failed to do herself any favours with this guarded letdown of a series.

The Game Show

It had the potential to be the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality overseeing her estate. What more could you ask for? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a production that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How does one follow a show that captured a generation? The expectation was immense for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the abundance of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ā€˜uneven’.

Given the shrewd inclusion of talented emerging comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a single joke stretched to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be treated with care. Rather, the series struggled painfully to find the right voice, lumbering from oddly breezy, slightly mannered farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Absolutely.

Prime Target

We love the star … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the brink of a breakthrough that could ruin society? No! This globe-trotting thriller about government agencies targeting – and killing off – academics honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator renowned for explicit exploits as she prepared for her most extreme feat yet. What on earth would motivate her? What we wanted was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have spoken to the legendary mum who showed up to drag her son out of the queue. What we got was disturbing imagery and zero interrogation of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.

Jeffrey Banks
Jeffrey Banks

Elena Voss is a seasoned online gaming strategist with over a decade of experience in fortune-based platforms.

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